the lonely bard
Usuário
putz, essa versao e muito irada!!!!!
-
Caro Visitante, por que não gastar alguns segundos e criar uma Conta no Fórum Valinor? Desta forma, além de não ver este aviso novamente, poderá participar de nossa comunidade, inserir suas opiniões e sugestões, fazendo parte deste que é um maiores Fóruns de Discussão do Brasil! Aproveite e cadastre-se já!
JETHRO TULL!
- Criador do tópico Thico
- Data de Criação
the lonely bard
Usuário
acabou de passar o "clipe" de aqualung na mtv, terminou agora as 1:29 da manha...clipe do dvd slipstream (inicio da decada de 80) ....nessa epoca o tecladita tocava violino e ele toca exatamente nessa musica....fica lindo....
the lonely bard
Usuário
e isso mesmo, o dvd e toscao e naum e bom, so vale pelas musicas classicas do tull mas o dvd em si naum e bom, tem umas coisas raras como aqualung com violino, realmente lindo...
the lonely bard
Usuário
po isso passou de madrugada acho dificil q passe de novo mas, se vc tiver dvd, e so procurar pelo slipstream, q tem esse musica
the lonely bard
Usuário
tenho tb o catfish rising, um dos novos (1991) e naum e muito bom naum a naum ser por uma musica chamada "when jesus came to play"...uma bela musica com uma letra bem legal....falando em bela musica estou novamante apaixonado por wondring aloud do aqualung... e linda...
Bilbo Bolseiro
Bread and butter
Fui procurar no Youtube por vídeos dessa música deles que gosto muito, e achei isto:
Parece que o Ian Anderson estava bem "animado"
Parece que o Ian Anderson estava bem "animado"
Última edição por um moderador:
Bilbo Bolseiro
Bread and butter
Pois é, parece até mais antigo do que é, pela qualidade da cópia, hehe
Eu curto demais o som deles, é minha banda favorita de rock progressivo, por causa do lado folk. Procura sim que vale a pena, principalmente os álbuns dos anos 70, que são indiscutivelmente os melhores. Se quiser uma ajuda, dá uma olhada no perfil da banda neste site: http://www.progarchives.com/artist.asp?id=418
Eu curto demais o som deles, é minha banda favorita de rock progressivo, por causa do lado folk. Procura sim que vale a pena, principalmente os álbuns dos anos 70, que são indiscutivelmente os melhores. Se quiser uma ajuda, dá uma olhada no perfil da banda neste site: http://www.progarchives.com/artist.asp?id=418
![=]](/forum/styles/default/xenforo/smilies/happy.gif "Sorriso =]")
Bilbo Bolseiro
Bread and butter
É, esse pouco que os sites disponibilizam das bandas realmente não dá pra ter bem uma idéia do som delas, se a pessoa quiser mesmo conhecer tem que ir atrás dos álbuns inteiros.
Clown or Minstrel
desenvolvedor
Eu achei o Aqualung numa pilha de CDs num sebo. Vocês não tem noção do que pode se encontrar em sebos...
Comprei e não me arrependi. Som muito criativo, e a faixa título é uma música fantástica.
Quem sabe se eu não começar a varrer estes sebos eu não ache algum outro CD do Jethro Tull.
Comprei e não me arrependi. Som muito criativo, e a faixa título é uma música fantástica.
Quem sabe se eu não começar a varrer estes sebos eu não ache algum outro CD do Jethro Tull.
Bilbo Bolseiro
Bread and butter
Ele é ótimo mesmo, inclusive essa música do vídeo é dele.
Procure sim, Aqualing não é o único disco deles que vale a pena ter, muito pelo contrário. Você vai adorar os outros também.
Amanhã (03/04) é dia do lançamento do novo álbum do Ian Anderson: Thick as a Brick 2: Whatever Happened to Gerald Bostock?
Isso mesmo, o frontman do JT resolveu fazer uma continuação do clássico supremo Thick as a Brick, 40 anos depois.
E eu já corri para escutar (sim, já vazou). O álbum ficou bacana, mas não chega ao pés do primeiro álbum - o que era meio que previsível. É um álbum bom de escutar, com músicas legais bem ao estilo do JT. Comparações com o primeiro álbum são obviamente inevitáveis, dado que é uma continuação, mas mesmo sendo consideravelmente inferior não significa que não seja um bom trabalho. Afinal, é JT né?
Um vídeo promocional do álbum:
Tracklist:
E na página oficial do Jethro Tull tem os comentários do Ian Anderson sobre o novo álbum. Deixo tb aqui, nos spoilers:
Isso mesmo, o frontman do JT resolveu fazer uma continuação do clássico supremo Thick as a Brick, 40 anos depois.
E eu já corri para escutar (sim, já vazou). O álbum ficou bacana, mas não chega ao pés do primeiro álbum - o que era meio que previsível. É um álbum bom de escutar, com músicas legais bem ao estilo do JT. Comparações com o primeiro álbum são obviamente inevitáveis, dado que é uma continuação, mas mesmo sendo consideravelmente inferior não significa que não seja um bom trabalho. Afinal, é JT né?
Um vídeo promocional do álbum:
Tracklist:
- "From A Pebble Thrown"
- "Pebbles Instrumental"
- "Might-have-beens"
- "Upper Sixth Loan Shark"
- "Banker Bets, Banker Wins"
- "Swing It Far"
- "Adrift And Dumfounded"
- "Old School Song"
- "Wootton Bassett Town"
- "Power And Spirit"
- "Give Till It Hurts"
- "Cosy Corner"
- "Shunt And Shuffle"
- "A Change Of Horses"
- "Confessional"
- "Kismet In Suburbia"
- "What-ifs, Maybes And Might-have-beens"
E na página oficial do Jethro Tull tem os comentários do Ian Anderson sobre o novo álbum. Deixo tb aqui, nos spoilers:
TAAB2
Whatever Happened To Gerald Bostock?
In 1972, I wrote and recorded the Jethro Tull Progressive Rock classic album Thick As A Brick. The lyrics were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.
We then, somewhat dutifully, took the quaintly theatrical show on the road in the UK, USA and a few other countries. Since 1972, the album has never been performed in its entirety although a few minutes of the material have been a regular repertoire staple in both Tull and Ian Anderson solo shows over the years.
Now, scheduled for performance again in 2012, I will take the original album and this follow-up recording, TAAB2, to a theatre near you.
So, forty years on, what would Gerald Bostock – aged fifty in 2012 – be doing today? What might have befallen him?
The theme of this anniversary “part two” album is to examine the possible different paths that the precocious young schoolboy, Gerald Bostock, might have taken later in life and to create alter-ego characters whose song-section identities illustrate the hugely varied potential twists and turns of fate and opportunity. Not just for Gerald but to echo how our own lives develop, change direction and ultimately conclude through chance encounters and interventions, however tiny and insignificant they might seem at the time.
In the development of the piece, the divergences of life’s infinitely forked roads finally give way to an almost gravitational pull which results in convergence to, perhaps, a pre-ordained, karma-like conclusion.
As we baby-boomers look back on our own lives, we must often feel an occasional “what-if” moment. Might we, like Gerald, have become instead preacher, soldier, down-and-out, shopkeeper or finance tycoon?
And those of more tender years - the social media and internet generation - may choose to ponder well the myriad of chance possibilities ahead of them at every turn.....
Odd chap, life.....
If someone had suggested that I might release a Prog concept album in the year 2012, I would have thought him seriously, dangerously even, off his trolley. But that is precisely what happened. A few years ago, Mike Andrews and Royston Eldridge, two ex-Chrysalis Records gents pressed me to consider a follow-up to Thick As A Brick. I gave it some dutiful deliberation - for a couple of minutes - and politely declined. Nice idea, nice chaps but, after reflection, no-oooooo.
Then, in 2010, a re-aquaintance with seventies Prog Rock vocalist-turned-record exec Derek Shulman - yes, he of Gentle Giant fame - restarted the old refrain. Yes, but.... no, but, and finally - OK, I'll give it some more dutiful deliberation (four and a half minutes, this time) eventually produced, in February of 2011, the synopsis of the idea. Derek's enthusiasm and gauntlet-challenge plus two weeks of dedicated, fast and furious music and lyric writing combined to produce a flurry of material. And - blow me down with a Dodo's tail-feather - the whole thing was completed ready for scoring and arranging by the beginning of March. There were a couple of pieces prepared earlier which were bent into new shape and fitted into the scheme of things, so they too were popped into the bubbling saucepan.
It was a little daunting to consider the impact – or perhaps lack of – which this release might have on old and new fans alike but I eventually decided that I would embark on this for my own benefit and enjoyment rather than trying to please anyone else at all. To find the balance of interesting musicality and more accessible content too was not the main issue. The conceptual and heavily lyrical nature of the beast, however, might be out of place in the attention span-deficit world which we seem to occupy these days. But, having toured in 2010 and 2011 in Italy, Latin America, Australia and other countries where passions run high, I decided that maybe the world – or our little corners of it – was, in fact, ready for a bit of more substantial and weightier fare.
The era of professional media Prog-bashing seems to have given way to a more appreciative appraisal of the genre and newer bands such as Dream Theater, Porcupine Tree and Spock's Beard have possibly prompted a new and younger audience to re-examine the seventies originators' seminal albums too.
So, it's not such a cold and lonely place after all. The elements of Folk, Classical and Jazz Music are still to be found in today's more Rock-oriented Progressive Rock. You will certainly find them subtly present in TAAB2 but along with a rather more acoustic feel than many of our peers, past and present. Not the only flute in town but......
Actually, I played much more acoustic guitar than usual on this record having written most of the music on that instrument. But there are still sections conceived on the flute and sometimes – quite often, in fact – the lyric writing preceded all the melodies and harmonic structures. Starting with lyrics and then thinking of the music is not normally the way I work but it was here. A title, a few words or a verse or two and then the acoustic guitar was immediately to hand to conjure up a full song section out of the growing lyrics. Having a plan was important. Stories to tell made it all easier. The imagination-filled process of thinking how things might have turned out for the young and older Gerald kept me fascinated. Maybe you will be too. And maybe not.
Ah, well – you can always go and watch The X Factor and the Eurovision Song Contest.
Ian Anderson January 2012
Whatever Happened To Gerald Bostock?
In 1972, I wrote and recorded the Jethro Tull Progressive Rock classic album Thick As A Brick. The lyrics were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.
We then, somewhat dutifully, took the quaintly theatrical show on the road in the UK, USA and a few other countries. Since 1972, the album has never been performed in its entirety although a few minutes of the material have been a regular repertoire staple in both Tull and Ian Anderson solo shows over the years.
Now, scheduled for performance again in 2012, I will take the original album and this follow-up recording, TAAB2, to a theatre near you.
So, forty years on, what would Gerald Bostock – aged fifty in 2012 – be doing today? What might have befallen him?
The theme of this anniversary “part two” album is to examine the possible different paths that the precocious young schoolboy, Gerald Bostock, might have taken later in life and to create alter-ego characters whose song-section identities illustrate the hugely varied potential twists and turns of fate and opportunity. Not just for Gerald but to echo how our own lives develop, change direction and ultimately conclude through chance encounters and interventions, however tiny and insignificant they might seem at the time.
In the development of the piece, the divergences of life’s infinitely forked roads finally give way to an almost gravitational pull which results in convergence to, perhaps, a pre-ordained, karma-like conclusion.
As we baby-boomers look back on our own lives, we must often feel an occasional “what-if” moment. Might we, like Gerald, have become instead preacher, soldier, down-and-out, shopkeeper or finance tycoon?
And those of more tender years - the social media and internet generation - may choose to ponder well the myriad of chance possibilities ahead of them at every turn.....
Odd chap, life.....
If someone had suggested that I might release a Prog concept album in the year 2012, I would have thought him seriously, dangerously even, off his trolley. But that is precisely what happened. A few years ago, Mike Andrews and Royston Eldridge, two ex-Chrysalis Records gents pressed me to consider a follow-up to Thick As A Brick. I gave it some dutiful deliberation - for a couple of minutes - and politely declined. Nice idea, nice chaps but, after reflection, no-oooooo.
Then, in 2010, a re-aquaintance with seventies Prog Rock vocalist-turned-record exec Derek Shulman - yes, he of Gentle Giant fame - restarted the old refrain. Yes, but.... no, but, and finally - OK, I'll give it some more dutiful deliberation (four and a half minutes, this time) eventually produced, in February of 2011, the synopsis of the idea. Derek's enthusiasm and gauntlet-challenge plus two weeks of dedicated, fast and furious music and lyric writing combined to produce a flurry of material. And - blow me down with a Dodo's tail-feather - the whole thing was completed ready for scoring and arranging by the beginning of March. There were a couple of pieces prepared earlier which were bent into new shape and fitted into the scheme of things, so they too were popped into the bubbling saucepan.
It was a little daunting to consider the impact – or perhaps lack of – which this release might have on old and new fans alike but I eventually decided that I would embark on this for my own benefit and enjoyment rather than trying to please anyone else at all. To find the balance of interesting musicality and more accessible content too was not the main issue. The conceptual and heavily lyrical nature of the beast, however, might be out of place in the attention span-deficit world which we seem to occupy these days. But, having toured in 2010 and 2011 in Italy, Latin America, Australia and other countries where passions run high, I decided that maybe the world – or our little corners of it – was, in fact, ready for a bit of more substantial and weightier fare.
The era of professional media Prog-bashing seems to have given way to a more appreciative appraisal of the genre and newer bands such as Dream Theater, Porcupine Tree and Spock's Beard have possibly prompted a new and younger audience to re-examine the seventies originators' seminal albums too.
So, it's not such a cold and lonely place after all. The elements of Folk, Classical and Jazz Music are still to be found in today's more Rock-oriented Progressive Rock. You will certainly find them subtly present in TAAB2 but along with a rather more acoustic feel than many of our peers, past and present. Not the only flute in town but......
Actually, I played much more acoustic guitar than usual on this record having written most of the music on that instrument. But there are still sections conceived on the flute and sometimes – quite often, in fact – the lyric writing preceded all the melodies and harmonic structures. Starting with lyrics and then thinking of the music is not normally the way I work but it was here. A title, a few words or a verse or two and then the acoustic guitar was immediately to hand to conjure up a full song section out of the growing lyrics. Having a plan was important. Stories to tell made it all easier. The imagination-filled process of thinking how things might have turned out for the young and older Gerald kept me fascinated. Maybe you will be too. And maybe not.
Ah, well – you can always go and watch The X Factor and the Eurovision Song Contest.
Ian Anderson January 2012
Última edição por um moderador:
Lucas Ferraz
Usuário
Jethro Tull é vida! Eu adoro por demais a música dos caras.
Vocês curtem o disco A Passion Play?
É o mais subestimados, e um dos melhores discos do rock progressivo IMHO.
Pois bem, ainda esse semestre sai o remix do Steven Wilson, que tem feito milagres com discos dos grandes bastiões do rock progressivo dos anos 70.
Melhor de tudo, vem com a versão mais completa e próxima da original do que deveria ter sido o Chateau D'isaster Tapes, álbum abortado que foi depois retrabalhado e virou o APP, que contém algumas das melhores músicas do progressivo dos anos 70. Partes desse trabalho foi lançado nos anos 90 na coletânea Nightcap, mas não todo material e foram feitos overdubs de flauta e tal.
Nessa versão, não terá overdubs, tudo original, e terá faixas inéditas como a mítica Sailor! Vai ser épico! Abaixo anúncio do site do Steven, e tracklist. Mal posso esperar para por minhas mãos nisso!!
"Steven’s stereo / 5.1 remix of Jethro Tull’s 1973 album A Passion Play has been announced for release on 13th June as a deluxe 2 CD / 2 DVD set, including new mixes of both the album itself and the “lost” album recorded at Château d’Hérouville in 1972, for the first time in its complete 60 minute form. Note that this release is not yet available to pre-order."
2CD/2DVD Track-listing
CD 1
A Passion Play(A new Steven Wilson stereo mix)
1. Life-beats/Prelude
2. The Silver Cord
3. Re-Assuring Tune
4. Memory Bank
5. Best Friends
6. Critique Oblique
7. Forest Dance #1
8. The Story Of The Hare Who Lost His Spectacles
9. Forest Dance #2
10. The Foot Of Our Stairs (2 extra verses found on the end of the multi-track reel have been added back in)
11. Overseer Overture.
12. Flight From Lucifer
13. 10.08 to Paddington
14. Magus Perde
15. Epilogue
CD 2
The Château d'Hérouville Sessions (A new Steven Wilson stereo mix)
1) The Big Top
2) Scenario
3) Audition
4) Skating Away
5) Sailor
6) No Rehearsal
7) Left Right
8) Solitaire
9) Critique Oblique (Part I)
10) Critique Oblique (Part II)
11) Animelee (1st Dance) [Instrumental]
12) Animelee (2nd Dance) [Instrumental]
13) Law Of The Bungle (Part I)
14) Tiger
15) Law Of The Bungle (Part II)
DVD 1 (Audio & Video)
Contains:
A Passion Play mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo.
A flat transfer from the original master at PCM 96/24 stereo
Video clips of ‘The Story Of The Hare Who Lost His Spectacles’ an intro and outro film used in the Passion Play tour of 1973.
DVD 2 (Audio only)
Contains:
The Château d'Hérouville Sessions mixed to 5.1 DTS and AC3 Dolby Digital surround sound
PCM 96/24 PCM stereo.
A heavyweight 180g vinyl edition featuring the new stereo mix of the original album is also available.
In the book:
An extensive article by Martin Webb on the preparation and recording of the album and the Château sessions that preceded it.
Steven Wilson’s thoughts on mixing the recordings.
Memories of the cover shoot and Hare filming by dancer Jane Eve (Colthorpe)
1973 tour history
Recollections of touring and PA systems by sound man Chris Amson.
The Rev’d Godfrey Pilchard’s recollections.
Vocês curtem o disco A Passion Play?
É o mais subestimados, e um dos melhores discos do rock progressivo IMHO.
Pois bem, ainda esse semestre sai o remix do Steven Wilson, que tem feito milagres com discos dos grandes bastiões do rock progressivo dos anos 70.
Melhor de tudo, vem com a versão mais completa e próxima da original do que deveria ter sido o Chateau D'isaster Tapes, álbum abortado que foi depois retrabalhado e virou o APP, que contém algumas das melhores músicas do progressivo dos anos 70. Partes desse trabalho foi lançado nos anos 90 na coletânea Nightcap, mas não todo material e foram feitos overdubs de flauta e tal.
Nessa versão, não terá overdubs, tudo original, e terá faixas inéditas como a mítica Sailor! Vai ser épico! Abaixo anúncio do site do Steven, e tracklist. Mal posso esperar para por minhas mãos nisso!!
"Steven’s stereo / 5.1 remix of Jethro Tull’s 1973 album A Passion Play has been announced for release on 13th June as a deluxe 2 CD / 2 DVD set, including new mixes of both the album itself and the “lost” album recorded at Château d’Hérouville in 1972, for the first time in its complete 60 minute form. Note that this release is not yet available to pre-order."
2CD/2DVD Track-listing
CD 1
A Passion Play(A new Steven Wilson stereo mix)
1. Life-beats/Prelude
2. The Silver Cord
3. Re-Assuring Tune
4. Memory Bank
5. Best Friends
6. Critique Oblique
7. Forest Dance #1
8. The Story Of The Hare Who Lost His Spectacles
9. Forest Dance #2
10. The Foot Of Our Stairs (2 extra verses found on the end of the multi-track reel have been added back in)
11. Overseer Overture.
12. Flight From Lucifer
13. 10.08 to Paddington
14. Magus Perde
15. Epilogue
CD 2
The Château d'Hérouville Sessions (A new Steven Wilson stereo mix)
1) The Big Top
2) Scenario
3) Audition
4) Skating Away
5) Sailor
6) No Rehearsal
7) Left Right
8) Solitaire
9) Critique Oblique (Part I)
10) Critique Oblique (Part II)
11) Animelee (1st Dance) [Instrumental]
12) Animelee (2nd Dance) [Instrumental]
13) Law Of The Bungle (Part I)
14) Tiger
15) Law Of The Bungle (Part II)
DVD 1 (Audio & Video)
Contains:
A Passion Play mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo.
A flat transfer from the original master at PCM 96/24 stereo
Video clips of ‘The Story Of The Hare Who Lost His Spectacles’ an intro and outro film used in the Passion Play tour of 1973.
DVD 2 (Audio only)
Contains:
The Château d'Hérouville Sessions mixed to 5.1 DTS and AC3 Dolby Digital surround sound
PCM 96/24 PCM stereo.
A heavyweight 180g vinyl edition featuring the new stereo mix of the original album is also available.
In the book:
An extensive article by Martin Webb on the preparation and recording of the album and the Château sessions that preceded it.
Steven Wilson’s thoughts on mixing the recordings.
Memories of the cover shoot and Hare filming by dancer Jane Eve (Colthorpe)
1973 tour history
Recollections of touring and PA systems by sound man Chris Amson.
The Rev’d Godfrey Pilchard’s recollections.
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