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Notícias The New, In-Canon Star Wars Comic Just Did Something Completely Insane (Extended Universe spoilers)

Bruce Torres

Let's be alone together.
The New, In-Canon Star Wars Comic Just Did Something Completely Insane

Rob Bricken


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Oh my god. Today’s issue of Star Wars #6, written by Jason Aaron, contains a surprise that changes one of the series’ main characters completely — a change that, thanks to the new Disney mandate that everything is 100% official, is now Star Wars canon. Get ready to have your mind blown.

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Ready?

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Meet Sana Solo...

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...Han Solo’s wife.

Yup.

Marvel’s main Star Wars comic is set just after the destruction of the first Death Star, and the events of A New Hope. So apparently while Han Solo was running Luke and Obi-Wan to Alderaan, he was a married man the entire time. And unless he’s going to get some kind of divorce — which seems like it would be difficult, given that he’d have to file paperwork with the Empire to legal dissolve his union, and he’s a wanted man and all — maybe he was married during Empire Strikes Back, too?!

Of course, there are a few ways this could go. Sana could be crazy and/or mistaken. The marriage may not have been formalized yet, so technically Han isn’t cheating on his spouse when he’s flirting with Leia. Or Sana could die in the near future, leaving Han a widower to make out with any princess he sees fit.

Whatever happens, this is the first major change made to a main Star Wars character since Disney bought the property, and it’s extremely interesting that it happened in a Marvel comic. I don’t know how I feel about the change itself, but something tells me it’s absolutely not going to be the last one.

[Via Comic Book Resources]

Fonte: http://io9.com/the-new-in-canon-star-wars-comic-just-did-something-co-1708709628
 
In This Week's Star Wars Comic, Princess Leia Gets To Kick Butt—Literally
James Whitbrook
Filed to: COMICS 8/21/15 3:44pm


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After taking a break from its ongoing story last month to give us a badass Ben Kenobi side story, this week’s issue of Marvel’s Star Wars series gets ready to deal with the fallout from that insane twist that sent ripples through the new Star Wars canon. It also gives us Princess Leia being awesome.

Princess Leia’s own self-titled standalone miniseries, fell a little flat for me—Mark Waid and Terry Dodson did an admirable job, but without familiar friends to bounce off of, and not really much time to really get into Leia as a character, it was a side story that didn’t really feel like the Leia we know from the films all that much. On the other hand, her appearance in the main Star Wars series, penned by Jason Aaron, has been fantastic—especially as Aaron has developed a particularly excellent knack for the snipe-y banter between Leia and Han Solo that makes them so fun to watch in A New Hope and Empire Strikes Back. And hoo boy, does our Highness get the chance to snap the hell out of Han in Star Wars #8.

The issue—the first with art from Stuart Immonen, replacing John Cassaday as the regular series artist and already doing a fantastic job, with some incredible, vivid panels—picks up where Star Wars #6 left off. Han and Leia, hiding on a small planet after fleeing some Imperial patrols, find themselves rudely interrupted in their hiding by Sana Solo—a Bounty Hunter from Han’s past, that is very adamant that she is Han’s wife.

Star Wars #6 didn’t leave us with much in terms of being able to get reactions from Han and Leia. While Han seems less than happy (and very confused) that Sana has shown up, Leia is distinctly not pleased. In fact, Leia is quite frankly having none of Sana or Han’s shit, and wanders off to let them deal with their particular brand of craziness:

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That is, until Sana threatens Leia. Being a Bounty Hunter—and also honestly kind of a jerk—when Sana recognises that Leia is Princess Leia Organa, she blasts Han and Leia’s ship to smithereens and promptly calls the Imperials encircling the planet in an attempt to claim the massive bounty on Leia’s head.

Sana Solo’s—and by extension, Han’s, as Leia is equally pissed off with him—big mistake?NOBODY THREATENS PRINCESS LEIA:

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Told you Leia got to kick butt. Well, a butt, specifically. Marvel’s Star Wars series has been pretty grand so far, but that panel might just be my favourite so far.

The issue ends with the trio’s showdown being interrupted by the arrival of the Imperials Sana called down, but hopefully this just means we’re going to get to see Leia kick even more asses inStar Wars #9. Snarky, not having anyone’s shit, and ready to blast anyone who disagrees: This is the comic book Princess Leia we’ve always wanted.
** Posts duplicados combinados **
This Week's Star Wars Comic Gives Us A Badass Old Ben Kenobi
James Whitbrook
Filed to: STAR WARS 7/30/15 3:00pm


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Back in the days of the prequels, Obi-Wan Kenobi could flip around and swing his lightsaber everywhere like any other action hero—while Ben Kenobi was a much subdued Jedi. That is, until this week’s issue of Marvel’s Star Wars, which gives us an Old Ben who can do a lot more than silly wooping noises.

Spoilers ahead for Star Wars #7, of course.

Taking a break from the ongoing saga of the Rebel Alliance in a post-Death-Star-destruction haze and a Luke Skywalker trying to discover how to become a Jedi, Star Wars #7 took us back in time to a period between Revenge of the Sith and A New Hope when Obi-Wan Kenobi was trying to live out his days protecting young Luke and hiding from the Empire. It’s ground that was occasionally covered in the old expanded universe—like that one time Obi-Wan fought a cyborg-legged Darth Maul because reasons (and then that became canon in Clone Wars!)—but this is fertile ground for the now largely-established canon brought in by Disney.

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And what we get is an Obi-Wan well into his exile on Tatooine, embittered by the fall of the Jedi and increasingly wary of doing the one thing he spent most of his life at the Order doing: helping people. It’s the middle of an intense drought on Tatooine, and as Jabba’s thugs bully the local townsfolk and farmers for their rapidly-dwindling water supplies, we see an Obi-Wan who, fearful of revealing either himself or the location of Anakin Skywalker’s child, either refuses to help those in need, or when he does choose to help—such as a pretty nifty moment where he uses the Force to make the blasters of Jabba’s men simultaneously misfire before they can fire on a crowd of innocent bystanders—immediately decide that he should withdraw even further into exile.

That is, until Jabba’s thugs threaten young Luke, which spurs Old Ben into opening a can of Force-enhanced whoopass on them.

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It’s a great scene, not only because it entirely ruthless as we get to see Ben force-flinging Jabba’s goons everywhere (well, you don’t actually see him at all until the dust settles) but because it’s totally perfect for this period of Obi-Wan’s story. This isn’t the young Jedi-General of the prequels and Clone Wars, flinging his lightsaber and himself through the air. This isn’t the old man of A New Hope with his mind tricks. This is the bridge between those two aspects of Obi-Wan Kenobi, and that is refreshing to see.

And also pretty damn cool. I mean, you did see that bit where he pulverised those asshole droids with giant freaking boulders, didn’t you?
 
O cânone oficial por ora:
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When Luke Skywalker Sucked at Being a Jedi
Evan Narcisse
Filed to: STAR WARS 4/22/15 8:00pm

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In the original Star Wars trilogy, we saw Luke Skywalker pull off amazing shit. Destroying the Death Star. The cool-ass sequence where he stormed Jabba the Hutt’s skiff. (That somersault!) We saw him struggle a lot, too. But, the newest issue of the Star Wars comic gives us a glimpse at how bad his self-doubt was.

Spoilers follow for Star Wars # 1- 4.

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Thus far, Marvel’s new Star Wars comics by Jason Aaron and John Cassaday have plunged readers into a tense, roller-coaster adventure that happens right after A New Hope. Remember, this series comes in the midst of Disney-owned Lucasfilm deciding out what is still canon out of multiple decades’ worth of Star Wars Expanded Universe lore. It’s a whole new ballgame as far as what the franchise’s characters did in between the movies. In issues #1-3 of the new comic, Princess Leia leads a strike team on a mission to destroy an Imperial weapons manufacturing base.

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The opening arc shows Luke communicating with Obi-Wan Kenobi through the Force and trying his damnedest to channel his newfound abilities. Things go to hell once Darth Vader shows up and the Rebel team barely gets away with their lives.

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When Luke comes face-to-face with Darth Vader in issue #2, he also has to confront how much he has to learn about using the Force.

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One of the best parts of the Star Wars comic has been the way that Aaron’s been tickling what he knows that readers must already know. Folding in an encounter that sows the seeds of Episode V’s big revelation is a good foreshadowing.

As issue #2 goes on, the mission gets even more chaotic, and Luke beats up on himself even more...

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Just because he’s not a real Jedi yet doesn’t mean he can’t be a hero. It’s the “farm boy” side of him—which spent time perfecting his marksmanship on boring ol’ Tatooine—that helps turn the tide and bail out Han and Leia.

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When the rebels escape, you can see how this meeting with Luke—whose name he doesn’t even know at this point—has affected Vader.

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This subplot makes a great hooks for the series, because an audience already aware of the link between Skywalker father and son definitely wants to see how the characters themselves become aware of their connection.

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Out today, the series’ fourth issue is a breather. Luke is struggling to find a sense of purpose despite another Rebel victory. One of the reasons that the Force works as a conceit is that it requires faith from both the readers and the characters. People like Han Solo don’t believe in the Force and are shocked when confronted with it. Luke isn’t dubious about the Force; it’s himself he has a lack of faith in.

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All of this obviously happens before Luke goes to Dagobah and receives his training from Yoda. But the coolest part of Star Wars’ first four issues is that they show how far Luke has to go get even that far. They show a Luke Skywalker on the brink of quitting, a gloomy side of the character that only got a little bit of screen time.

It’s interesting that issue #4 comes out right after the latest Force Awaken strailer, because the most tantalizing part of the latest teaser for the next Star Wars movie is that ponderous voiceover by Luke Skywalker. Its promise is that Luke will possibly be following in Ben Kenobi’s footsteps, mentoring a Jedi and helping rebuild the lost order of justice-seeking knights. He’ll presumably be more centered and calm than in New Hope or Empire, older and ready to be a mentor to younger characters. So it’s great to have a Star Wars comic coming out that shows just how far he will have come in his own hero’s journey.
 
Darth Vader and The Other Big Moment from This Week's Star Wars Comics
Evan Narcisse
Filed to: STAR WARS6/04/15 2:30pm


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Yesterday’s Star Wars comic dropped a big bombshell, introducing a character that changes everything we know about the galaxy’s most notorious smuggler. But, along with the newest issue of Darth Vader, it showed the exact moment when the Dark Lord of the Sith learned who Obi-Wan Kenobi’s last padawan was. Yeah, the one he’s related to.

(Massive spoilers follow. Hover over the top left of each image and click on the magnifying glass icon to expand it.)

So far, the three Star Wars titles launched by Marvel over the last few months have stayed on parallel paths. This is the first time they’ve crossed over and the moment they do reveals a key piece of Star Wars lore.


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One of the big open questions of Star Wars’ continuity has been the when and how of Darth Vader learning that he had a son out there in the cosmos. Somewhere, between Star Wars and The Empire Strikes Back, Vader learned that the rebel pilot who blew up the first Death Star was his son. How’d he get that information? Star Wars #6 and Darth Vader #6 show how that happened. A Mandalorian was involved.

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After the first story arc of the Star Wars comic—written by Jason Aaron and drawn by John Cassaday—Luke Skywalker’s gone off on a sort of vision quest, with the hopes of sharpening his still-raw Jedi potential. In the latest issue, his travels take him back to Ben Kenobi’s home on Tatooine, where he has a run-in with Boba Fett, tasked by Vader with the capture of the aforementioned rebel pilot. Their fight adds another new bit of lore to the new Star Wars canon, creating a first encounter between the two that happens before Return of the Jedi.

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Even though Luke gets blinded by a flash grenade, it’s still no surprise that Fett doesn’t kill him. We do see the latter tap into his Force powers in a new (to him) way.

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Darth Vader #6 picks up the thread of this showdown, showing Boba Fett reporting back to Vader after getting bested.

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The series centered around the Dark Lord of the Sith has been the best Marvel Star Wars comic so far, because it’s given readers irresistible psychological insight into Vader. That trend ramps up this issue, as we see how the revelation of a son catalyzes a big shift in the acrimonious boss/lackey relationship between Vader and Emperor Palpatine.

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At first, the Luke/Fett fight rubbed me the wrong way, because it seemed unlikely that a Luke who’s not that Force-savvy would win out over the more experienced Boba. But the outcome of their fight adds tension and motivation to Fett’s appearances in the movies. It stands to reason that he’d want a shot at someone who escaped him before.

Overall, I like this development. It’s the better species of retcon, one that enables more complex readings of already existing material. Vader discovers a reason to be more than just Palpatine’s chief weapon and Luke’s experienced a taste of what he can do with the Force, even if he doesn’t know it yet. We already know where these characters will wind up, but these new comics are making their paths much more interesting.
** Posts duplicados combinados **
Luke and Vader Face Off in Marvel’s Best Star Wars Comic So Far
Evan Narcisse
Filed to: STAR WARS11/17/15 3:00pm


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Star Wars canon has changed, and some of that has happened in a new wave of Marvel Comics series. Months ago, we saw Luke Skywalker wield a lightsaber against his father way before their fateful meeting in The Empire Strikes Back. This week’s Star Wars comic has them dogfighting against each other and it’s damn great.

Spoilers follow.
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The first installment of a crossover between the Star Wars and Darth Vaderseries, Vader Down #1 launches a climax that’s the culmination of the first year’s worth of storylines in each title. Written by Jason Aaron, with art by Mike Deodato, Frank Martin, Jr., and Joe Caramagna, the first issue finds Vader following information—gained by torture and backchannel deals—that places Luke Skywalker at a remote planet called Vrogas Vas. The near-barren sphere was once home to a Jedi temple but it’s also a refueling base for the Rebel fleet.


The Emperor’s enforcer suddenly finds himself facing three dozen X-wings. The fight that follows is unfair...

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...for the Rebels, that is. The spaceship battle sequence that follows is the first of many great moments in Vader Down #1, followed by another great scene where Luke and his dad aim their ships at each other at full speed. They both survive, though, and seem headed towards another pivotal new-canon encounter.

The key feature in Marvel’s new Star Wars comics has been watching the titles’ creators dance around in the negative space of established movie continuity and drop new twists for readers to chew on. As far as new stuff, we’ve already seen Luke duel (badly!) against Vader...

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and barely survive an encounter with Boba Fett.

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The Lord of the Sith learning that Luke was his son was another highlight, one that established that Vader had an even stronger reason for finding the pilot that destroyed the Death Star.

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After reading Vader Down #1, it’s clear that father and son have been on a collision course ever since their last meeting, though it hasn’t seemed that way in the separate series. In Star Wars, Luke’s been on a hunt for Jedi knowledge, using Obi-Wan’s journal to guide him and getting captured by a Hutt who obsessively collects Force-wielder artifacts. Meanwhile, in Vader’s title, the newest storylines have had him backed into a corner by machinations to pursue an agenda away from the Emperor’s awareness. This has been an embattled Vader, barely dodging a new cohort’s master-detective efforts to root out the source of a high-stakes heist Vader himself put together. It’s been a tense workplace drama that’s shown Vader as increasingly vulnerable.

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So, it’s great that Vader Down #1 serves as a reminder that Vader is one of the most formidable warriors to ever exist in the Star Wars universe. Scenes where he takes out Rebel ships from the ground feel like they could be moments from the new Battlefront game and his arrogance in the face of overwhelming odds feels well-earned. Luke, on the other hand, still has lots to learn and the Vader Down storyline might be where he gets some more painfully won knowledge.Star Wars’ new future is only a month away in the form of The Force Awakensmovie. But, the past of Star Wars continues to change in fun ways, too, which makes this crossover worth paying attention to.
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Lembrando que essas HQs vem sendo publicadas pela Panini aqui no Brasil. Darth Vader, Star Wars, Princess Leia e Shattered Empire já foram publicadas em volumes completos lá fora.
 

Anexos

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The New Star Wars Crossover Comic Rejuvenates Darth Vader's Terrifying Reputation
James Whitbrook
Filed to: STAR WARS11/18/15 9:30am


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Darth Vader should an immensely intimidating figure. Emphasis on the should, because over the years, his appearances in increasingly silly scenarios as part of Star Wars’ place in pop culture have blunted his reputation. But Vader Down’s first issue is a fantastic reminder that we should never underestimate the power of the Dark Side.

Spoilers ahead for Vader Down #1, by Jason Aaron, Kieron Gillen, Mike Deodato, and Frank Martin Jr.

Vader Down #1 is a standalone entry in a crossover event that will bring together Marvel’s main Star Wars and Darth Vader ongoing series, both of which have done a pretty fantastic job of reclaiming the menace of Darth Vader. His early appearances in Star Wars were as an unstoppable force of black and red, while his own series has given Vader a level of cunning rarely emphasised. ButVader Down focus on Vader’s raw strength, both as a warrior, and a singular entity of fright. It’s a non-stop issue that constantly reminds you that even alone and surrounded, Darth Vader is one of the most petrifying figures in the galaxy.


As you might insinuate from the title, the series is all about Vader being brought down; on the hunt for Luke, Vader gets cut off from the Empire and shot down over a planet called Vrogas Vas, and the Rebel Alliance leap at the chance to capture one of the Empire’s most prominent figureheads. But even before Vader gets taken down—by Luke slamming his X-Wing into Vader’s TIE in a suicide run that nearly kills them both—we’re treated to the immense spectacle of the Dark Lord of the Sith eviscerating squadron after squadron of Rebel ships.

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Vader weaves through X-Wing after X-Wing, tearing them apart with laser bolts or simply using the Force to redirect their proton torpedoes back at them. There’s a fantastically lavish two-page spread of Vader being surrounded by at least 30 ships, laser streaks and explosions everywhere. Around 15 pages later when the sequence ends, there’s just nine—and a lot of dead bodies.

Even when Vader is on the planet below, the sense of scale of what the Rebels throw at him is a constant reminder that he is not a figure to be underestimated. The Rebels order a company of soldiers stationed at a base there to confront him, and then we cut to Leia and Han with the main fleet, acknowledging that not even that will be enough. They mobilise a whole battalion of ships and soldiers to hunt down a single man. Hell, before the company of soldiers finds him, the Rebels send a squadron of Y-Wings to bomb Vader’s position...

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...and he tears them apart in a single wave of his hands. No matter what the Rebels fling at Vader, he cuts them down. It never stops, and it’s an extremely fearful display of his power, over and over again. The issue beats it into you, page after page, as Deodato pencils setpiece after setpiece: Darth Vader is notsomeone you mess with.

But Vader Down saves its most badass, most chilling moment for the very end of the issue. Vader is eventually surrounded by a sea of Rebel soldiers, all guns raised and ready to fire upon him. It’s another marvelous spread from Mike Deodato, which you can see it in the header above. If there’s one thing this issue doesn’t skimp on, it’s that epic scale, even against a single foe. The Rebels tell Vader he’s surrounded, and with the ignition of his lightsaber—the first time he’s done so in the entire issue, a subtle acknowledgement that the Dark Lord has been barely tested by everything flung at him so far—he gives the most amazing retort:

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It’s wonderfully framed: it’s a tiny blowout panel tucked in the corner of that two-page spread of Rebels above, symbolic of the morass of foes Vader finds himself among. And yet, it’s the most powerful panel in the whole issue despite that framing. This is Darth Vader at his best, his most powerful, his most frightening, and it’s amazing to behold.

This comic gives us a Vader that isn’t cut from the same cloth as a bumbling GPS voice pack or a cute kid’s cosplay in a car commercial (as lovely and goofy as those things are). This is that menacing black figure that swept through the halls of the Tantive IV, bodies in his wake. The lumbering monster that relentlessly stalked Luke through the bowels of Cloud City. The dark figure that sent a chill down your spine with every ragged breath as a child.

This is a Vader that demands respect: and through it, fear.
 
Someone Actually Outbadassed Darth Vader in Marvel's Star Wars Crossover
James Whitbrook
Filed to: STAR WARS 11/30/15 1:30pm

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Marvel’s new Star Wars crossover event, Vader Down, is pretty much all about reminding us that Darth Vader is not a Sith Lord to be trifled with. And while Vader does get some nifty moments in the event’s second part, the best moment comes thanks to a member of the comic’s amazing supporting cast.

Spoilers ahead for Darth Vader #13, by Kieron Gillen, Salvador Larocca, and Edgar Delgado.


First off, you should know that Vader is still a complete badass in this issue, the best example being when he annihilates an entire army of Rebel troops by detonating a soldier’s pack of thermal detonators.

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But the real stars in this issue are the supporting cast of Vader’s ongoing solo series: Doctor Aphra, a rogue archeologist who finds herself working for Vader, and her hilariously bloodthirsty droids BT-1 and Triple Zero. BT-1 and Triple Zero are essentially the evil version of R2-D2 and C-3PO, especially since they’re an astromech and a protocol droid, respectively. However, the similarity ends there, as these droids want to destroy all humans, and have the firepower to do so.

Aphra and the droids land on Vrogas Vas in an attempt to extract Vader after his crash landing, but having learned it was Luke who took Vader out, they instead go on the hunt for Vader’s foe to curry favor with Vader. Triple Zero just wants to save time by bringing Vader any old blond kid:

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Aphra has a much sneakier idea.

Enter Luke, who’s investigating some Jedi ruins on Vrogas Vas with R2 after his own crash landing. They’re merrily going on their way when Threepio appears out of nowhere, glad that his master is safe. Luke’s relieved for the company, until this happens:

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Insert your Admiral Ackbar gifs here, because it’s a trap. Triple Zero + Gold spray paint = Killer C-3PO.

I would like an entire comic series of just this idea, please, preferably ending in a climactic protocol droid showdown between Triple Zero and Threepio. But for now, I’ll take a murderous protocol droid any time I can get it, really.
 
Thank God Marvel Remembered to Make Their Star Wars Comics Funny
Evan Narcisse
Filed to: STAR WARS 12/03/15 11:30am

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In this week’s Star Wars #13, there’s a scene where R2D2 engages in robot shit-talking with his evil fleshbag-killing counterpart. Poor little guy can’t back up his bleep-bloops, though, and runs screaming from the fight. It’s a hilarious moment that serves as a great reminder of how funny Star Wars can—and, really, should— be.

There’s a high level of drama in the main Star Wars books right now. In the current Vader Down storyline, the Dark Lord of the Sith is trapped on a remote planet with entire squadrons hunting him down to kill him. Meanwhile, his son is looking for a long-lost Jedi temple to learn about the forgotten disciplines of wielding the Force. But the life-and-death confrontations in the latest chapter can only be described as straight-up wacky.

Spoilers follow.
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Star Wars #13—written by Jason Aaron with art by Mike Deodato, Frank Marti, Jr. and Chris Eliopoulos—is largely concerned with Han Solo and Chewbacca’s efforts to rescue Luke Skywalker. Luke crashed on a planet called Vrogas Vas after ramming Vader’s ship. They’re racing against Vader aide-de-camp Dr. Aphra, who’s working with homicidal droids BT-1 and 000 to snatch Luke for Vader.

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There’s lots of bluster and snark in between this issue’s bursts of blaster fire and cat-and-mouse chases. Dr. Aphra calls out Han Solo as a moron and protocol droid 000 is all a-twitter over the chance to kill someone—anyone, really—and drain their blood. And while the ferocity in Deodato’s art makes it’s clear that everyone involved in these skirmishes is fighting for their lives, Aaron’s brisk dialogue elicits guffaws on just about every other page.

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With Star Wars hype running at fever pitch right now, it’s worth noting that a very important thing gets lost with all the Force Awakens plot speculation and the talk of what is or isn’t canon in the Star Wars universe now: humor. The execution of comedy has always been a vital—yet tricky—element in Star Warsfiction. On one hand, the main characters are all fighting for incredibly high stakes, like liberating the universe or crushing a rebel alliance for one’s master. On the other, there’s so much sheer absurdity in the building blocks of Star Wars—knights fighting over a space religion, a deadly race of giant teddy bear warriors—that it’d be folly to play it all straight. It’s clear that George Lucas, Lawrence Kasdan and the other creators of the original Star Wars trilogy got that.

I think part of the reason that people hate on the Star Wars prequel trilogy is that they were so dreadfully unfunny. Sure, there were attempts at broad comedy with Jar-Jar and other elements but the prequels were bone-dry as far as laughs. When Han, Leia or Luke snipe at each each other or crack jokes under pressure in the original trilogy, it actually helps the drama feel more immediate. The viewer gets the sense that all the nervous energy generated by being shot at, captured and led astray is bubbling to the surface. And the quips and slapstick also moderate the expectations of threat, simultaneously comforting the audience that nothing too gory is going to happen but also setting them up to gasp when, say, Vader cuts off Luke’s hand in The Empire Strikes Back.

So it’s great that the action-comedy aspects of Star Wars are alive and well in Marvel Comics’ various series. In last month’s Star Wars #12—which was another Luke rescue attempt—Han, Leia and Chewie all fire up lightsabers to fight their way through chaos. It’s the kind of moment that could be played for awe but works better to underscore the cranky skepticism that Han has about the Force.

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The amount of narrative space in sequential comics’ storytelling format is perfect for giving comedy space to breathe. Star Wars #13 might be mostly a romp but there’s still enough dread in its pages to create a sense of imminent danger. Part of the reason that Star Wars has won so many fans over the years is that it activates multiple emotional responses like wonder, fear, regret. The films and associated media have also made people laugh, too. Let’s hope these comics continue carrying on that tradition.
** Posts duplicados combinados **
Darth Vader Now Has an Evil C-3PO and R2D2. I Like Them Already.
Evan Narcisse
Filed to: DARTH VADER 3/26/15 3:53pm

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The new Star Wars series starring the Dark Lord of the Sith is finding a lot of success in one small conceit: Darth Vader is a lot deeper than anyone thinks.

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In the movies, Darth Vader is primarily portrayed as a blunt instrument. A fearsome enforcer for Emperor Palpatine who's seemingly content to simply push the old man's agendas forward without any thought for himself. He's not the guy with the plans. He's the guy who makes sure the plans get carried out. But the new Marvel Comics series has made the character a lot more interesting by hinting that there's a lot more than heavy breathing going on under that helmet.


Warning: Spoilers follow for Darth Vader #3

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Out this week, the latest issue of the Vader series introduces a few new characters who are going to be integral to the Dark Lord's as-yet-secret plans. The introduction of the first starts out the book, with a sequence that pay homage to another famous Lucasfilm hero. An alliance with rogue archeologist Doctor Aphra seems to be giving Darth Vader his own Han Solo, an amoral aide-de-camp who can do all the derring-do-style running and jumping that his own cybernetic legs can't handle. It also marks the start of the kind of close personal relationship that the former Anakin Skywalker probably hasn't been part of for decades.

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But it's not only humans who are being worked into Lord Vader's machinations. He's also getting his very own droids, as Aphra reactivates two defunct homicidal robots. Built to kill organic lifeforms, they're the exact opposite of Star Wars' most famous automatons.

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The introduction of Aphra, 000 and BT-1 also give the Vader comic an important avenue for tonal variance. You can tell there's going to be tension and nervous banter now, along with the comedic set-ups that have been the hallmark of Star Wars droids. This isn't just going to be gloomy grown-up Anakin anymore, though there will still likely be lots of that. And, like all the Star Wars comics to ever exist, what makes the broader possibility space even more interesting is knowing what happens at the end of the saga. Whatever Darth Vader's plans are, they're probably going meet some sort of terrible end, which will make the story of Luke Skywalker's father even more tragic.
 
Chewbacca Comic Finally Answers A Question Star Wars Fans Have Pondered For Years
12/30/15 12:48pm

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Ever since Han, Luke, and Chewbacca triumphantly strode through crowds of Rebel soldiers to mark their roles in the Death Star’s destruction, Star Warsfans have jokingly wondered why the poor Wookiee was left out. Well the final issue of Marvel’s Chewbacca miniseries has an answer, all these years later.

Minor Spoilers ahead for Chewbacca #5, by Gerry Duggan, Phil Noto, and Joe Caramagna.

Chewbacca #5 serves as the culmination of a short adventure a crash-landed Chewbacca has had with a young girl named Zarro. The duo has freed Zarro’s father from a local thug’s mines and escaped the clutches of the Imperial troops said thug was working for. Following an explosive escape from a Star Destroyer, Chewbacca and Zarro make to go their separate ways... but not before the young girl says it would’ve been nice if they had some recognition of what they did to save the planet from the Empire.


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Perhaps recognizing the same feeling fans have assumed Chewie had at the end of A New Hope, the wookiee turns around and clasps something around Zarro’s neck:

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His medal! Turns out Chewbacca had one after all, presumably given to himafter the main ceremony. Maybe Princess Leia didn’t want to have to use a stool to get high enough to put one on him in front of so many Alliance soldiers? Or maybe Chewie was just being shy?

Chewbacca goes on to tell Zarro that he’s not too keen on having the medal anyway. It clashes with his “warrior vibe,” according to Zarro’s translation of his roars. Poor guy, but at least we know he wasn’t left out back on Yavin—or why we’ll never see him with the medal again.

Marvel’s Star Wars comics have been doing a pretty fun job of filling in the gaps between the movies in Disney’s new canon. While it’s been nice to theorize all these years about whatever happened to Chewie’s medal (because that’s the sort of thing Star Wars fans love to do, let’s be honest), this is a pretty cute way to touch on it in Disney’s new official capacity as custodians of all things Star Wars.
 
In Three Pages, This Week's Darth Vader Comic Shows Us the Ballsiest Thing Vader Has Ever Done

James Whitbrook
Yesterday 4:45pm
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I genuinely love Kieron Gillen, Salvador Larocca, and Edgar Delgado’s work on the Darth Vader comic. The team has completely nailed what makes Vader aterrifyingly powerful, yet funny character. Case in point is the opening to this week’s Darth Vader #16, which features Vader at his most defiant.

A quick recap before we get to the moment, if you haven’t been reading Darth Vader. So far, the comic has seen the Dark Lord of the Sith out of his Master’s good graces, following the destruction of the Death Star in A New Hope. It’s meant that in order to do what he wants—hunt down the pilot that destroyed the Death Star, who he learns is his own son—Vader has to skulk about in secret.

It also meant that Emperor Palpatine has started looking for alternatives to Vader, for the next generation of his special agents.

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These agents—a team of warriors made by a mad Doctor, trained in the use of lightsabers and biological/cybernetic enhancement that gives them abilities akin to using the Force without being Force sensitive—have been a thorn in Vader’s side for a while, and one of them, Karbin (the Mon Calamari above), almost cornered Vader during the recent Vader Down event hoping to destroy Vader once and for all, but Vader killed him.

You’d think killing one of the Emperor’s new pets would be just another secret Vader would have to hide from his master. Instead, in Darth Vader #16, Vader delivers Karbin’s corpse right to Palpatine’s office.

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GOD
And then dumps it out onto the floor.

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FUCKING
That “I found him line” is pretty great, but it gets better. Palpatine quickly notes that Karbin’s wounds were inflicted by a lightsaber. A lesser man would try to pass it off as someone else.

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DAMN
Darth Vader is not a lesser man.

Look, I’m just saying. If Darth Vader’s balls hadn’t been roasted off on Mustafar, they’d probably be the size of Tatooine’s twin suns after this.
 
Oh My God Everything About Marvel's Poe Dameron Comic Sounds Amazing

James Whitbrook
Yesterday 5:13pm
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Fact: The X-Wing books were the best Star Wars books. Double fact: The Rogue Squadron comics from Dark Horse were awesome. Unassailable triple fact: Poe Dameron is the best. Bearing all this in mind, we’re just a touch excited about Marvel’s upcoming Poe Dameron comic, which seems to be a spiritual successor to the Rogue Squadron tales.

The ongoing comic is coming from writer Charles Soule and artist Phil Noto, who gave us a few extra details during an interview with Comic Book Resources. Covering Poe’s career as part of the Resistance’s crack squadron of soldiers (both in the skies and on the ground) before The Force Awakens, the series will take place in a period where the conflict between the First Order, the New Republic, and the fledgling Resistance is more of a cold war than a hot one. This means Poe and his comrades will be fighting a wide array of foes beyond the First Order as they go out on missions.

Soule definitely makes it sound like there’ll be more than just spaceship dogfights in terms of action for the series:

I think of it like a bunch of different genre movies, stacked up one after the other. I’ve been doing this for a while, actually—Lando was a heist movie, and Obi-Wan & Anakin is a post-apocalyptic steampunk western.Poe will be the same, with each arc feeling a bit different. The first story is straight-up weird, ‘70s sci-fi, but there’s plenty more to come—a prison story, an espionage tale—lots of great stuff.

The name’s Dameron, Poe Dameron? Poe Dameron: Prison Break? I’m shoving my wallet against my computer screen, and yet a copy of Poe Dameron #1 is not in my hands.

The main villain in the book will be a First Order Intelligence Officer that Soule describes as “Evil Lando” (that’s him in the artwork above), which just draws even more comparisons between this new series and the adventures that Wedge Antilles and his myriad allies went on in the X-Wing books and comics. Soule continues:

The main villain is a new character, an intelligence officer in the First Order with some ties to the old Empire. He’s a scary guy, a little older, which I think gives him a cool gravitas in much the same way Peter Cushing delivered as Grand Moff Tarkin in A New Hope. His approach to conflicts is very interesting, and he can be a charmer. I think of him almost like an evil Lando.

This series sounds like it could be out-rogue-ing Rogue One even before we see a snippet of footage from that movie, and it sounds completely fantastic. Anyone who’s ever loved the men and women sitting in the cockpits of an X-Wing should be very excited about this Poe Dameron #1, which hits comic book store shelves April 6th.
 
Han Solo Now Has His Own Marvel Miniseries

James Whitbrook
Friday 4:00pm
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Image Credit: Star Wars: Han Solo #1 Cover by Lee Bermejo

Princess Leia had one. Lando had one. Chewbacca had one. Poor Luke hasn’thad one. Now Han Solo himself is getting his own, err, solo miniseries from Marvel.

From Monstress writer Marjorie Liu and artist Mark Brooks, Star Wars: Han Solofollows the smuggler and his Wookiee co-pilot in between the events of A New Hope and Empire Strikes Back, going on an interstellar spaceship race known as the Dragon Void Run (presumably clearable in 12 parsecs or fewer). Unfortunately for Han, Princess Leia has also entrusted him with a mission to retrieve Rebel spies who are hiding in the very system the Dragon Void Run takes place in—meaning he has to balance racing other daredevil pilots with fleeing the Empire’s wrath.

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Image Credit: Mark Brooks
Liu’s announcement interview with Entertainment Weekly pretty much describes the whole adventure as space Cannonball Run, which is something that sounds completely awesome. It’s cool to see Marvel experimenting with all these Star Wars spinoff miniseries... but I must admit, it would’ve been cool to see a series that’s set at some point other than between the first two films of the original trilogy. Obviously you can’t do a Han series set between Empireand Jedi unless it was one panel long and incredibly boring, but maybe an older Han and Chewie, between Jedi and The Force Awakens?


Maybe we’ll get that later. For now, some classic Han Solo comic goodness is welcome enough.

[Entertainment Weekly]
 
The Poe Dameron Comic Is the Force Awakens Prequel You've Been Craving
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James Whitbrook
20 minutes ago
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Ever since Marvel announced that Poe Dameron would be getting his own Star Wars comic, we’ve been very eager to read it. Thankfully, it was worth waiting for. Just like the film that inspired it, Poe Dameron is a blast—one lays down the groundwork for something even better come after it.

Spoilers ahead for Poe Dameron #1, by Charles Soule, Phil Noto, and Joe Caramagna.

I’ll get the important bit out of the way first: Do you want a comic book about the joy that is X-Wing pilot Poe Dameron? Do you want a comic book that focuses on pilots on risky missions and tales of derring-do rather than Jedi and the Force? Then pick up Poe Dameron #1.

Do you want a comic book drawn by the almost-maddeningly talented Phil Noto, whose gorgeous style pitch-perfectly recreates the aesthetic of The Force Awakens, and totally nails the likeness of real-world actors like Oscar Isaac and Carrie Fisher?

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I may have loudly shouted “DEAR GOD YES PLEASE” when I read this panel.
Then definitely pick up Poe Dameron #1.

The Poe Dameron comic is pure, unadulterated Force Awakens fan service. Set just before the events of the film, with Poe recruiting Black Squadron on his General-Organa-assigned mission to find out the location of Lor San Tekka (and thus Luke Skywalker) before the First Order does. It’s a space adventure writ large. Soule’s writing is a breeze, and he captures the cocksure cadence of Poe’s speech as excellently as Noto’s art captures the likeness. It’s got a simple quest at its heart—grab some pilots, hop in some space ships, and go on a search across the galaxy—that it sets to at a blistering pace.

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It’s also just absurdly fun. So far there’s not as much spacefighter action as I’d like out of a comic—it opens with a punchy escape scene with Poe and BB-8 that promises that when the book does get to the space battles it’ll be a downright hoot—but Poe and Black Squadron spend more time on their feet here than they do behind the controls of an X-Wing. It’s still got action and charm by the bucketloads, and even if you preferred Rey or Finn when you watched The Force Awakens, you’ll be smiling throughout Poe’s adventure.

However, arguably just as The Force Awakens did before it, Poe Dameron is also rather conservative in its handling of Star Wars, no matter how joyously it recreates the series’ magically-indescribable vibe. It sticks to very familiar beats, for better or worse, polishing them to a fine sheen. Its direct links into the movie with the quest to find Lor San Tekka aside, it doesn’t really give us anything new about Poe, at least so far.


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Beyond Poe, the issue does try to peel back the layers of the weird, Force-based mysticism that Tekka practised. Poe discovers the old man had been spending his time with an underground religious group protecting a mysterious egg that allegedly houses some sort of savior figure. But the idea of at least exploring a post-Empire world where these sort of strange, mystic religions can begin to flourish again without facing the Emperor’s wroth is an intriguing idea.

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Hopefully as the comic continues, Poe and his pals can be fleshed out a little beyond what we’ve already seen on the big screen. But even if it doesn’t, Poe Dameron #1 is a proof-of-concept that this character that has become so popular, so quickly, can work in the pages of a comic book without being physically embodied by the walking charm-machine that is Oscar Isaac, a man this website literally once described as a “sexy sex god.” That’s impressive all by itself.
 
So Now We Know How C-3PO Got His Red Arm In The Force Awakens

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Ladies and gentlemen, our global nightmare is over. After months—nearly five of them in fact—of waiting, Marvel’s one-shot comic, revealing just why C-3PO has a red arm for most of The Force Awakens, is finally here. As bizarre as it may sound at first, the final product isn’t half bad.

Spoilers ahead for Star Wars: C-3PO #1, by James Robinson, Tony Harris, and Joe Caramagna.

Actually, to be fair, we’ve actually known ever since the Force Awakens visual dictionary guide book came out why Threepio’s arm is red. (The book hadsome other interesting facts in it, too.) C-3PO wears it in memory of a droid that sacrificed itself to save him during a mission for the Resistance. Pretty boring, and yet, Robinson and Harris manage to weave a fascinating tale around this rather humdrum factoid.

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The premise is relatively simple. C-3PO and a rag tag group of Resistance droids, as well as their captive, a First Order RA-7 protocol droid named Omri, crash land on an unidentified planet, their human crew wiped out. Omri has information on where the First Order are keeping a captured Admiral Ackbar, information the Resistance needs to save the venerable Mon Calamari from execution. (But it’s... wait for it... a trap!) After locating a working distress beacon on the planet from a downed TIE fighter, C-3PO and his motley crew trek their way over the planet in a race against time.

And then all of them, save for Threepio, die horrible pointless deaths, and Threepio is down an arm.

But C-3PO #1 becomes, if you’ll pardon the cliché, about so much more than the end point of C-3PO having a red arm, and that’s mainly thanks to Omri. Robinson and Harris paint Omri as a bit of a droid Nihilist throughout the issue—he questions why the droids have a concept of one side over the other, or whether they’re even capable of human qualities, like bravery or sacrifice. Most importantly, Omri also focuses on the rarely-discussed, but often uncomfortable, willingness the denizens of the Star Wars galaxy have when it comes to wiping a droid’s memories, just as Bail Organa did to C-3PO after the events of the prequels.

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Omri argues that, as a protocol droid, the extra sentience he is given to perform his duties makes him question the tragedy of a droid’s lot in life—awareness that makes him realize he has lived lives many times over, that who he is as a being has been re-written and re-programmed again and again. Omri’s initial distaste for C-3PO doesn’t come from the fact that they’ve been programmed to be on opposite sides of a war, but C-3PO’s blind acceptance that his sentience and memories are in hands other than his own. At one point, rather pointedly, he even refers to it in a similar manner to the concept of having a Phantom Limb, the gnawing thought of something being there when it isn’t.

There’s a line later on in the issue, when the Droid herd has been thinned down to just Omri and Threepio, where the First Order droid wonders whether their fallen comrades were in their “first lives” or not—noting they were all far newer models than Threepio or himself. And suddenly, everything that had happened in the comic up until that point is reframed in a horrifying perspective.


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The callous disregard as little by little the group is taken down—one droid staying behind to be destroyed by hordes of giant spice spiders, another trapped in quick-sand-esque oil, dragging it into the swampy deaths, or a third that is simply carried away to their doom by fly-like creatures—suddenly takes on an altogether darker tone. You suddenly start thinking of them less as droids and more as people. The pointlessness nature of their deaths is suddenly tragic. and yes, the moment C-3PO actually loses his arm because strangely visceral and brutal.

And in the end, it makes Omri’s sacrifice, his evolution from nihilistic to courageous, weirdly heartbreaking. Sheltering from acid rain that will soon destroy both of them, Omri chooses to give the data that he’s been storing to Threepio and walk out into the rain to activate the distress beacon, knowing it’ll destroy him, but save Threepio. And as it does, the acid peels away his shiny exterior, literally revealing a past life where he was painted red.

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It’s amazing, but Robinson and Harris managed to take this otherwise boring revelation and turn it into a fascinating insight into the nature of droids in Star Wars, painting our relationship with them as characters in a whole new light. It’s a light that, when Threepio reflects upon his journey in the final moments of the issue, is surprisingly poignant when he quietly acknowledges that he’ll keep Omri’s arm for a while.

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That said, I honestly didn’t realize until yesterday that C-3PO got his normal arm color back by the end of The Force Awakens. Maybe he didn’t care thatmuch about Omri and the crew as much as C-3PO #1 makes out. Still, at least this comic put more thought into that arm than The Force Awakens ever did.
 

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